Are you searching for a piece of @@@@ silver jewelry? Then you have two choices. First one is go to a jewelry seller that makes custom tiffany jewelry and have them generate it to your customization. The other way to have it made is to copy or sculpt it yourself in wax and then have a tiffany jewelry maker cast it in gold or silver for you.
As for Thankgkas (religion based paintings), according to K.B. Lama of Dharmapala Thangka Centre in Durbar Marg, one will be lucky to find genuinely antique Thangkas. ‘Nowadays very few old Thangkas come from Tibet,’ says Lama. He exports Thangkas to Europe and has held a lot of exhibitions abroad. A 6x4ft. Thangka depicting the Gelungpa Sect Lineage is priced at Rs. 4,00,000.00. A twin set of Thangkas depicting Dharmapala Manadala and Amituyus Buddha based on Japanese style costs Rs. 4,00,000.00.
But here’s the thing. Observing David only from the rear casts aside an important part of the story. You can’t tell from the back that the boy-warrior is readying to do battle. You see only an uncertain gesture, perhaps even slightly cowering, which makes his effort – made apparent solely in the front – all the more valiant. Bypassing the front, you miss the easy stance, as if David were waiting for a bus, which belies his qualms about battling Goliath. You miss the seeming calm as he faced Goliath, furtively palming a stone in one hand and the sling for it flung ever so casually over his shoulder.
Now if the ancient and primitive peoples of Egypt and South America could do lost Wax Casting, and produce beautiful works of art, then so can you – with the proper tools and training. Most of the necessary tools and equipment can be purchased right over the internet, and books are available to teach you what you need to know. Here are the basics of how you can do your own lost fusione a cera persa using the pressure of steam.
Early man was at the mercy of so many dangers. Naked, without fur or sharp teeth, he depended on his skill and ability to think to see him through the day. A harmless pebble blessed with the power to keep him safe must have been some, if not great comfort.
Furthermore, it is then placed into another mold, and plaster of Paris is used to encase the wax sculpture, leaving an opening at the top. Once the plaster of Paris has dries, then it is heated up enough to melt the wax within the plaster, leaving the shape of what will be the pendant inside.
The burnout step is removing the wax from the mold. Since you want the mold to have a bottom, you leave the bottom of the mold in tact and just expose the ends of the gate channels. When the ceramic mold is placed into a kiln to cure, the wax melts and runs out of the channels, this leaves the inside hollow, ready for the bronze.
Last, but not least, a certificate containing information of the weight and size of the bronze sculpture is often issued. This is done to eliminate duplication. Pieces may also be numbered to identify them as part of a series. If you ever get a chance to see a bronze sculpture being created, be sure to take the time to check it out. It’s a process with a long and proud history, and one that is worth witnessing.